Alfred Eisenstaedt photos are an integral part of the history of photojournalism. He captured informal portraits of kings, dictators, scientists, athletes, and movie stars and sensitively portrayed ordinary people in everyday situations. Alfred Eisenstadt said that his goal was “to find and capture the moment of the story.”
Oldpics has covered the ‘V-J Day,’ which is one of the most remarkable photos by Alfred Eisenstadt. It also hit the list of Top 100 most important photos in history. In this publication, we’ll show you his most brilliant photos.
Buttons and cameras
Alfred Eisenstaedt was born in 1898 in the city of Dirschau (then Eastern Germany, now it’s Tczew in Poland). He died at 96 and devoted more than 70 to photography. Eisenstaedt studied at the University of Berlin, joined the German Army during WWI. After the war, he sold buttons and belts in Berlin and started to freelance as a photojournalist. In 1929, he received his first photo assignment. It was the beginning of a professional career as a photojournalist: he was filming the Nobel Prize ceremony in Stockholm.
Alfred Eisenstaedt, 1930s
A new ‘LIFE’ in the US
From 1929 to 1935, Eisenstadt was a staff photojournalist for the Pacific and Atlantic agency, then a part of the Associated Press. While dodging the horrors of the jew-life in Nazi Germany, he emigrated to the United States in 1935. Alfred Eisenstaedt continued his photo career in New York, working for Harper’s Bazaar, Vogue, Town and Country, and other publications. In 1936, Henry Luce hired him as one of four photographers for LIFE magazine (the other three cameramen were Margaret Burke-White, Peter Stackpole, and Thomas McAvoy). Eisenstaedt stayed with this legendary magazine for the next four decades. His photographs have appeared on the LIFE magazine covers 90 times.
Alfred Eisenstaedt was among those Europeans who pioneered using the 35mm camera in photojournalism on American publications after WWI. He was also an early advocate of natural light photography. When photographing famous people, he tried to create a relaxed atmosphere to capture natural postures and expressions: “Don’t take me too seriously with my small camera,” Eisenstaedt said. – I’m here not as a photographer. I came as a friend. “
Agricultural school for Prussian coachmen trained to hold the reins. Neudeck, East Prussia, 1932.
Secret trick of Alfred Eisenstaedt
Creating a relaxed environment was not always easy. Let’s take a photoshoot with Ernest Hemingway in his boat in 1952. While establishing those special links between genius and the photographer, the writer tore his shirt in a rage and threatened to throw Alfred Eisenstaedt overboard. The photographer recalled that shooting in Cuba in 1952 more than once. “Hemingway nearly killed me,” the photographer said.
Unlike many photojournalists of the post-war period, Alfred Eisenstadt didn’t commit to any particular type of events or geographic area. He was a generalist. And he liked to capture people and their emotions than the news. Editors appreciated his eagle eye and his talent to take good photographs of any situation or event. Eisenstadt’s skill set a perfect composition that turned his photos into the era’s memorable documents in historical and aesthetic contexts.
Nazi Germany’s propaganda minister Joseph Goebbels at the 1933 League of Nations conference in Geneva. He had just found out that the photographer was Jewish and stopped smiling. This photo was one of the first shots of Alfred Eisenstadt that appeared on the cover of the LIFE magazine.
The room where Beethoven was born. Bonn, Germany, 1979.
The room where Beethoven was born. Bonn, Germany, 1979.
The hull of the German airship Graf Zeppelin renovated over the South Atlantic, 1933.
Street musicians near Rue Saint-Denis in Paris, 1932.
Sophia Loren, Rome, Italy, 1961.
Sophia Loren behind the scenes of the ‘Italian Marriage,’ Rome, Italy, 1964.
Singer Jane Foreman at NBC 4H Studios in New York, 1937.
Salvador Dali with his wife at a New Year’s party in New York, January 1956.
Runners at the Italian Forum, Rome, 1934.
Director of the Institute for Advanced Study, Robert Oppenheimer, discusses the theory of matter in terms of space with Albert Einstein in Princeton, New Jersey, 1947.
An Italian officer sleds in Sestriere, Italian Alps, 1934.
An optical illusion building in the Peseldorf district, Hamburg, Germany, 1979.
Army officer of the Mussolini army during the manicure procedure in Milan, Italy, 1934.
A young Englishman looks at himself in the mirror of the Grand Hotel in St. Moritz, Switzerland, 1932.
A wicker rocking chair displayed at a flea market in Paris, 1963.
A prostitute on the rue Saint-Denis in Paris, 1932.
A New Yorker on vacation in Miami Beach, Florida, USA, 1940.
A man tries to sell a doll on the rue Saint-Denis, Paris, Ile-de-France, France, 1931.
A girl at the Weissensee Jewish cemetery in East Berlin, 1979.
A gigantic oak tree in Tisbury, Massachusetts, USA, 1968.
A fresco in the Dominican monastery of San Marco called Providence. Giovanni Antonio Sogliani created it in 1536. Italy, Florence, 1935.
Perseus, by the Italian sculptor Benvenuto Cellini holds the severed head of a jellyfish. Against the background, a copy of Michelangelo’s David, Palazzo Vecchio, Florence, Italy, 1935.
Amazing stuff